Video Production and Post Tips of the Week

BT种子名称

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BT种子基本信息

种子哈希：61b16ca69a59e966eb8a1c085b5e6c7a2a7ce5a9
文档大小：6.4 GB
文档个数：340个文档
下载次数：178次
下载速度：极快
收录时间：2018-04-09
最近下载：2024-12-27
DMCA/屏蔽：DMCA/屏蔽

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Video Production and Post Tips of the Week的二维码

文档列表

001.Using a GoPro to record a timelapse.118s.mp4 18.0 MB
002.Recording as stills.252s.mp4 37.5 MB
003.Recording as video.151s.mp4 22.7 MB
004.Assembly.453s.mp4 54.0 MB
005.The new GoPro HERO5 Black.144s.mp4 21.7 MB
006.Video stabilization.202s.mp4 30.1 MB
007.Linear lens correction.261s.mp4 35.6 MB
008.Waterproof.258s.mp4 38.4 MB
009.Raw photo.204s.mp4 29.9 MB
010.Improved software.283s.mp4 41.9 MB
011.Why is there buzz in my audio.70s.mp4 10.6 MB
012.Removing buzz during production.356s.mp4 52.6 MB
013.Removing buzz during post.444s.mp4 45.2 MB
014.What is noise.154s.mp4 22.1 MB
015.Reducing noise and grain in After Effects.562s.mp4 56.3 MB
016.Using Neat Video noise reduction.598s.mp4 55.8 MB
017.What is Rec. 2020.462s.mp4 66.0 MB
018.Rec. 2020 in production and post.297s.mp4 44.2 MB
019.Rec. 2020 for consumer products.280s.mp4 40.6 MB
020.Recording the screen of a phone or tablet.97s.mp4 14.6 MB
021.Recording software for PC.379s.mp4 43.9 MB
022.Recording software for Mac.352s.mp4 50.3 MB
023.Recording hardware.228s.mp4 33.9 MB
024.How do I light a product shot.73s.mp4 11.4 MB
025.How to set up the background.154s.mp4 23.2 MB
026.Using turntables to add motion.181s.mp4 27.1 MB
027.Lighting components.347s.mp4 51.4 MB
028.How can gimbals help stabilize shots.84s.mp4 12.8 MB
029.Full-size gimbals.254s.mp4 37.7 MB
030.Portable gimbals.297s.mp4 42.4 MB
031.What is depth of field.250s.mp4 37.1 MB
032.Wider aperature.301s.mp4 44.0 MB
033.Using a telephoto lens.225s.mp4 33.5 MB
034.Intro.157s.mp4 22.8 MB
035.Single camera.578s.mp4 60.5 MB
036.Multicamera rig.357s.mp4 50.6 MB
037.Challenges of skin tones.238s.mp4 35.5 MB
038.Essential items.230s.mp4 34.3 MB
039.Advanced techniques.427s.mp4 62.5 MB
040.The role of headphones in production and post.221s.mp4 33.0 MB
041.Headphone designs.416s.mp4 61.6 MB
042.Advanced techniques.254s.mp4 37.9 MB
043.Why color correct live on set.146s.mp4 21.4 MB
044.Working with a laptop only.318s.mp4 38.3 MB
045.Using a breakout box.476s.mp4 59.3 MB
046.Using a LUT box.550s.mp4 60.8 MB
047.What is a GPU.216s.mp4 32.2 MB
048.Desktop and mobile GPUs.455s.mp4 67.2 MB
049.Specifications to look out for.502s.mp4 73.9 MB
050.Benefits of using a drone.333s.mp4 48.9 MB
051.Challenges of shooting people.301s.mp4 44.2 MB
052.Safety advice.337s.mp4 49.5 MB
053.What is DCI P3.271s.mp4 36.9 MB
054.DCI P3 in production and post.295s.mp4 42.1 MB
055.DCI P3 for consumer products.328s.mp4 46.0 MB
056.What is LTO.342s.mp4 48.8 MB
057.Connection and generation options.441s.mp4 60.0 MB
058.Creating and using an LTO archive.421s.mp4 52.0 MB
059.Using LTO cataloging software.326s.mp4 36.4 MB
060.The challenge of proper exposure.192s.mp4 28.6 MB
061.Using ISO or gain.274s.mp4 40.7 MB
062.Using aperture.315s.mp4 45.5 MB
063.Using shutter speed.488s.mp4 70.3 MB
064.What is 3–2–1 backup.117s.mp4 16.1 MB
065.3 copies.252s.mp4 36.0 MB
066.2 formats.186s.mp4 26.4 MB
067.1 offsite.394s.mp4 57.6 MB
068.Shooting video with the iPhone 7.202s.mp4 30.0 MB
069.Using the dual lens system on the iPhone 7 to shoot video.232s.mp4 33.5 MB
070.Expanded functionality with the Mavis app.297s.mp4 42.7 MB
071.Why you need a clean sensor.105s.mp4 15.0 MB
072.Cleaning the sensor with the menu or a blower.250s.mp4 35.6 MB
073.Dry sensor cleaning.465s.mp4 68.3 MB
074.Wet sensor cleaning.319s.mp4 46.6 MB
075.Why batteries.112s.mp4 16.8 MB
076.Lights with internal batteries.248s.mp4 37.0 MB
077.Lights with external batteries.334s.mp4 49.4 MB
078.Using a generator.178s.mp4 26.6 MB
079.Why change the color of lights.186s.mp4 25.6 MB
080.Affordable methods.279s.mp4 41.4 MB
081.Changing the temperature of fluorescent fixtures.383s.mp4 56.7 MB
082.Bicolor and RGB lights.283s.mp4 42.1 MB
083.Aesthetics for high-angle shooting.110s.mp4 16.9 MB
084.Operating advice for getting high angles.287s.mp4 42.7 MB
085.Safety advice.325s.mp4 48.0 MB
086.Reasons to record live video on set.90s.mp4 13.8 MB
087.Capturing with Blackmagic's Media Express.415s.mp4 44.4 MB
088.Capturing with an NLE.285s.mp4 25.2 MB
089.Doing a test key with a captured file.265s.mp4 23.7 MB
090.The challenges of recording audio.104s.mp4 15.9 MB
091.Using an attached mic.301s.mp4 43.5 MB
092.Obstacles when using a lavalier microphone.204s.mp4 30.6 MB
093.What is YouTube Live Streaming.126s.mp4 16.7 MB
094.Setting up an account.258s.mp4 33.9 MB
095.Enabling and running a broadcast on YouTube Live Streaming.392s.mp4 47.2 MB
096.Variable ND filters.113s.mp4 17.3 MB
097.When to use a variable ND.266s.mp4 38.4 MB
098.The mechanics of using a variable ND.258s.mp4 38.3 MB
099.Why monitor wirelessly.166s.mp4 24.9 MB
100.Wi-Fi monitoring.232s.mp4 34.5 MB
101.RF monitoring.304s.mp4 44.4 MB
102.How to capture audio from a distance.109s.mp4 16.8 MB
103.Shotgun microphone.297s.mp4 43.6 MB
104.Boom microphone.297s.mp4 44.1 MB
105.Wireless microphone.298s.mp4 44.0 MB
106.The impact of frame rate.263s.mp4 35.9 MB
107.Shooting with standard frame rates.231s.mp4 31.8 MB
108.Shooting with high frame rates.350s.mp4 51.2 MB
109.Manually focusing.140s.mp4 21.2 MB
110.Why manual focus.201s.mp4 30.2 MB
111.Manual focusing technique.315s.mp4 46.7 MB
112.Aesthetics for low-angle shooting.198s.mp4 29.8 MB
113.Operating advice for getting low angles.260s.mp4 38.6 MB
114.Safety advice.263s.mp4 39.3 MB
115.What is Google Hangouts.102s.mp4 14.2 MB
116.How to start a Google Hangout.400s.mp4 57.9 MB
117.How to start a Google Hangout On Air.349s.mp4 36.2 MB
118.Advanced options for Google Hangouts On Air.419s.mp4 54.3 MB
119.Control room for Google Hangouts On Air.242s.mp4 27.1 MB
120.The benefits of stabilization.245s.mp4 36.5 MB
121.Using the DJI Ronin.273s.mp4 40.5 MB
122.Using the DJI Osmo.299s.mp4 44.3 MB
123.Using the ikan FLY-X3.265s.mp4 39.5 MB
124.The importance of white balancing.121s.mp4 18.4 MB
125.Using presets.272s.mp4 34.5 MB
126.Setting the color temperature.301s.mp4 44.6 MB
127.Performing a custom white balance.171s.mp4 22.4 MB
128.Why use log mode.256s.mp4 38.1 MB
129.Recording log mode in camera.383s.mp4 49.8 MB
130.Recording log mode with a disk recorder.293s.mp4 43.5 MB
131.The challenge of one light.128s.mp4 19.5 MB
132.What other gear do you need.249s.mp4 37.0 MB
133.Recording log mode in camera.310s.mp4 45.9 MB
134.Log-encoded video.107s.mp4 16.3 MB
135.Where does log come from and why use it.244s.mp4 36.5 MB
136.Viewing log.306s.mp4 42.8 MB
137.Three-point lighting.88s.mp4 13.6 MB
138.The key light.236s.mp4 35.1 MB
139.The fill light.226s.mp4 33.7 MB
140.The back light.186s.mp4 27.8 MB
141.Additional options.121s.mp4 18.0 MB
142.Memory cards and readers.104s.mp4 16.1 MB
143.Card types and speeds.450s.mp4 63.1 MB
144.Memory card readers.248s.mp4 37.0 MB
145.What is a Boom Mic and When Should I Use It.238s.mp4 35.5 MB
146.Holding the Boom.170s.mp4 25.7 MB
147.Pointing the Microphone Correctly.142s.mp4 21.5 MB
148.What is the 'right' Shutter Speed.227s.mp4 32.9 MB
149.Shooting With a Slower Shutter Speed.236s.mp4 35.0 MB
150.Shooting with a Higher Shutter Speed.303s.mp4 44.8 MB
151.What is transcoding.171s.mp4 20.1 MB
152.When Should I Transcode.375s.mp4 51.5 MB
153.How Do I Transcode.705s.mp4 66.0 MB
154.Why Might I Skip Transcoding.155s.mp4 23.5 MB
155.Using Facebook Livestream.85s.mp4 13.1 MB
156.Essential gear for live streaming.206s.mp4 30.8 MB
157.Starting a broadcast on Facebook.466s.mp4 54.5 MB
158.How many frames do you need for slow motion.235s.mp4 34.2 MB
159.Shooting high frame rate with a pro camera.279s.mp4 40.4 MB
160.Advanced options for high frame rates.423s.mp4 61.8 MB
161.4K versus UHD.91s.mp4 14.0 MB
162.Resolution numbers.310s.mp4 42.3 MB
163.Standards and beyond.266s.mp4 39.5 MB
164.What is Periscope.115s.mp4 15.9 MB
165.What gear do you need.278s.mp4 41.4 MB
166.Starting a broadcast on Periscope.639s.mp4 70.4 MB
167.When to use a point-of-view shot.108s.mp4 35.2 MB
168.Choosing a capture resolution for POV shots.290s.mp4 43.1 MB
169.Mounting the point-of-view camera.408s.mp4 60.4 MB
170.Evaluating the footage.310s.mp4 45.9 MB
Info/001.Using a GoPro to record a timelapse.118s.info.json 6.8 kB
Info/002.Recording as stills.252s.info.json 6.8 kB
Info/003.Recording as video.151s.info.json 6.8 kB
Info/004.Assembly.453s.info.json 6.7 kB
Info/005.The new GoPro HERO5 Black.144s.info.json 6.3 kB
Info/006.Video stabilization.202s.info.json 6.8 kB
Info/007.Linear lens correction.261s.info.json 6.8 kB
Info/008.Waterproof.258s.info.json 6.8 kB
Info/009.Raw photo.204s.info.json 6.7 kB
Info/010.Improved software.283s.info.json 6.8 kB
Info/011.Why is there buzz in my audio.70s.info.json 6.7 kB
Info/012.Removing buzz during production.356s.info.json 6.8 kB
Info/013.Removing buzz during post.444s.info.json 6.7 kB
Info/014.What is noise.154s.info.json 6.7 kB
Info/015.Reducing noise and grain in After Effects.562s.info.json 6.8 kB
Info/016.Using Neat Video noise reduction.598s.info.json 6.8 kB
Info/017.What is Rec. 2020.462s.info.json 6.6 kB
Info/018.Rec. 2020 in production and post.297s.info.json 6.8 kB
Info/019.Rec. 2020 for consumer products.280s.info.json 6.7 kB
Info/020.Recording the screen of a phone or tablet.97s.info.json 6.8 kB
Info/021.Recording software for PC.379s.info.json 6.7 kB
Info/022.Recording software for Mac.352s.info.json 6.7 kB
Info/023.Recording hardware.228s.info.json 6.8 kB
Info/024.How do I light a product shot.73s.info.json 6.7 kB
Info/025.How to set up the background.154s.info.json 6.8 kB
Info/026.Using turntables to add motion.181s.info.json 6.8 kB
Info/027.Lighting components.347s.info.json 6.7 kB
Info/028.How can gimbals help stabilize shots.84s.info.json 6.7 kB
Info/029.Full-size gimbals.254s.info.json 6.7 kB
Info/030.Portable gimbals.297s.info.json 6.7 kB
Info/031.What is depth of field.250s.info.json 6.7 kB
Info/032.Wider aperature.301s.info.json 6.6 kB
Info/033.Using a telephoto lens.225s.info.json 6.6 kB
Info/034.Intro.157s.info.json 6.6 kB
Info/035.Single camera.578s.info.json 6.7 kB
Info/036.Multicamera rig.357s.info.json 6.6 kB
Info/037.Challenges of skin tones.238s.info.json 6.7 kB
Info/038.Essential items.230s.info.json 6.7 kB
Info/039.Advanced techniques.427s.info.json 6.7 kB
Info/040.The role of headphones in production and post.221s.info.json 6.8 kB
Info/041.Headphone designs.416s.info.json 6.7 kB
Info/042.Advanced techniques.254s.info.json 6.8 kB
Info/043.Why color correct live on set.146s.info.json 6.8 kB
Info/044.Working with a laptop only.318s.info.json 6.9 kB
Info/045.Using a breakout box.476s.info.json 6.8 kB
Info/046.Using a LUT box.550s.info.json 6.9 kB
Info/047.What is a GPU.216s.info.json 6.6 kB
Info/048.Desktop and mobile GPUs.455s.info.json 6.6 kB
Info/049.Specifications to look out for.502s.info.json 6.7 kB
Info/050.Benefits of using a drone.333s.info.json 6.7 kB
Info/051.Challenges of shooting people.301s.info.json 6.8 kB
Info/052.Safety advice.337s.info.json 6.7 kB
Info/053.What is DCI P3.271s.info.json 6.6 kB
Info/054.DCI P3 in production and post.295s.info.json 6.2 kB
Info/055.DCI P3 for consumer products.328s.info.json 6.7 kB
Info/056.What is LTO.342s.info.json 6.6 kB
Info/057.Connection and generation options.441s.info.json 6.2 kB
Info/058.Creating and using an LTO archive.421s.info.json 6.6 kB
Info/059.Using LTO cataloging software.326s.info.json 6.6 kB
Info/060.The challenge of proper exposure.192s.info.json 6.7 kB
Info/061.Using ISO or gain.274s.info.json 6.6 kB
Info/062.Using aperture.315s.info.json 6.7 kB
Info/063.Using shutter speed.488s.info.json 6.8 kB
Info/064.What is 3–2–1 backup.117s.info.json 6.7 kB
Info/065.3 copies.252s.info.json 6.7 kB
Info/066.2 formats.186s.info.json 6.7 kB
Info/067.1 offsite.394s.info.json 6.7 kB
Info/068.Shooting video with the iPhone 7.202s.info.json 6.8 kB
Info/069.Using the dual lens system on the iPhone 7 to shoot video.232s.info.json 6.8 kB
Info/070.Expanded functionality with the Mavis app.297s.info.json 6.8 kB
Info/071.Why you need a clean sensor.105s.info.json 6.7 kB
Info/072.Cleaning the sensor with the menu or a blower.250s.info.json 6.9 kB
Info/073.Dry sensor cleaning.465s.info.json 6.8 kB
Info/074.Wet sensor cleaning.319s.info.json 6.7 kB
Info/075.Why batteries.112s.info.json 6.7 kB
Info/076.Lights with internal batteries.248s.info.json 6.9 kB
Info/077.Lights with external batteries.334s.info.json 6.8 kB
Info/078.Using a generator.178s.info.json 6.8 kB
Info/079.Why change the color of lights.186s.info.json 6.8 kB
Info/080.Affordable methods.279s.info.json 6.8 kB
Info/081.Changing the temperature of fluorescent fixtures.383s.info.json 6.9 kB
Info/082.Bicolor and RGB lights.283s.info.json 6.8 kB
Info/083.Aesthetics for high-angle shooting.110s.info.json 6.7 kB
Info/084.Operating advice for getting high angles.287s.info.json 6.8 kB
Info/085.Safety advice.325s.info.json 6.7 kB
Info/086.Reasons to record live video on set.90s.info.json 6.8 kB
Info/087.Capturing with Blackmagic's Media Express.415s.info.json 6.9 kB
Info/088.Capturing with an NLE.285s.info.json 6.8 kB
Info/089.Doing a test key with a captured file.265s.info.json 6.8 kB
Info/090.The challenges of recording audio.104s.info.json 6.9 kB
Info/091.Using an attached mic.301s.info.json 6.8 kB
Info/092.Obstacles when using a lavalier microphone.204s.info.json 6.9 kB
Info/093.What is YouTube Live Streaming.126s.info.json 6.8 kB
Info/094.Setting up an account.258s.info.json 6.8 kB
Info/095.Enabling and running a broadcast on YouTube Live Streaming.392s.info.json 7.0 kB
Info/096.Variable ND filters.113s.info.json 6.8 kB
Info/097.When to use a variable ND.266s.info.json 6.7 kB
Info/098.The mechanics of using a variable ND.258s.info.json 6.4 kB
Info/099.Why monitor wirelessly.166s.info.json 6.7 kB
Info/100.Wi-Fi monitoring.232s.info.json 6.8 kB
Info/101.RF monitoring.304s.info.json 6.7 kB
Info/102.How to capture audio from a distance.109s.info.json 6.8 kB
Info/103.Shotgun microphone.297s.info.json 6.7 kB
Info/104.Boom microphone.297s.info.json 6.7 kB
Info/105.Wireless microphone.298s.info.json 6.7 kB
Info/106.The impact of frame rate.263s.info.json 6.7 kB
Info/107.Shooting with standard frame rates.231s.info.json 6.7 kB
Info/108.Shooting with high frame rates.350s.info.json 6.3 kB
Info/109.Manually focusing.140s.info.json 6.7 kB
Info/110.Why manual focus.201s.info.json 6.6 kB
Info/111.Manual focusing technique.315s.info.json 6.8 kB
Info/112.Aesthetics for low-angle shooting.198s.info.json 6.7 kB
Info/113.Operating advice for getting low angles.260s.info.json 6.7 kB
Info/114.Safety advice.263s.info.json 6.7 kB
Info/115.What is Google Hangouts.102s.info.json 6.7 kB
Info/116.How to start a Google Hangout.400s.info.json 6.3 kB
Info/117.How to start a Google Hangout On Air.349s.info.json 6.8 kB
Info/118.Advanced options for Google Hangouts On Air.419s.info.json 6.9 kB
Info/119.Control room for Google Hangouts On Air.242s.info.json 7.0 kB
Info/120.The benefits of stabilization.245s.info.json 6.8 kB
Info/121.Using the DJI Ronin.273s.info.json 6.2 kB
Info/122.Using the DJI Osmo.299s.info.json 6.6 kB
Info/123.Using the ikan FLY-X3.265s.info.json 6.7 kB
Info/124.The importance of white balancing.121s.info.json 6.8 kB
Info/125.Using presets.272s.info.json 6.6 kB
Info/126.Setting the color temperature.301s.info.json 6.7 kB
Info/127.Performing a custom white balance.171s.info.json 6.9 kB
Info/128.Why use log mode.256s.info.json 6.6 kB
Info/129.Recording log mode in camera.383s.info.json 6.7 kB
Info/130.Recording log mode with a disk recorder.293s.info.json 6.8 kB
Info/131.The challenge of one light.128s.info.json 6.8 kB
Info/132.What other gear do you need.249s.info.json 6.8 kB
Info/133.Recording log mode in camera.310s.info.json 6.7 kB
Info/134.Log-encoded video.107s.info.json 6.6 kB
Info/135.Where does log come from and why use it.244s.info.json 6.2 kB
Info/136.Viewing log.306s.info.json 6.2 kB
Info/137.Three-point lighting.88s.info.json 6.7 kB
Info/138.The key light.236s.info.json 6.7 kB
Info/139.The fill light.226s.info.json 6.7 kB
Info/140.The back light.186s.info.json 6.7 kB
Info/141.Additional options.121s.info.json 6.8 kB
Info/142.Memory cards and readers.104s.info.json 6.7 kB
Info/143.Card types and speeds.450s.info.json 6.7 kB
Info/144.Memory card readers.248s.info.json 6.7 kB
Info/145.What is a Boom Mic and When Should I Use It.238s.info.json 6.7 kB
Info/146.Holding the Boom.170s.info.json 6.7 kB
Info/147.Pointing the Microphone Correctly.142s.info.json 6.7 kB
Info/148.What is the 'right' Shutter Speed.227s.info.json 6.7 kB
Info/149.Shooting With a Slower Shutter Speed.236s.info.json 6.8 kB
Info/150.Shooting with a Higher Shutter Speed.303s.info.json 6.8 kB
Info/151.What is transcoding.171s.info.json 6.7 kB
Info/152.When Should I Transcode.375s.info.json 6.7 kB
Info/153.How Do I Transcode.705s.info.json 6.7 kB
Info/154.Why Might I Skip Transcoding.155s.info.json 6.8 kB
Info/155.Using Facebook Livestream.85s.info.json 6.8 kB
Info/156.Essential gear for live streaming.206s.info.json 6.8 kB
Info/157.Starting a broadcast on Facebook.466s.info.json 6.7 kB
Info/158.How many frames do you need for slow motion.235s.info.json 6.8 kB
Info/159.Shooting high frame rate with a pro camera.279s.info.json 6.8 kB
Info/160.Advanced options for high frame rates.423s.info.json 6.8 kB
Info/161.4K versus UHD.91s.info.json 6.7 kB
Info/162.Resolution numbers.310s.info.json 6.6 kB
Info/163.Standards and beyond.266s.info.json 6.8 kB
Info/164.What is Periscope.115s.info.json 6.7 kB
Info/165.What gear do you need.278s.info.json 6.7 kB
Info/166.Starting a broadcast on Periscope.639s.info.json 6.7 kB
Info/167.When to use a point-of-view shot.108s.info.json 6.7 kB
Info/168.Choosing a capture resolution for POV shots.290s.info.json 6.7 kB
Info/169.Mounting the point-of-view camera.408s.info.json 6.7 kB
Info/170.Evaluating the footage.310s.info.json 6.6 kB

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